Dear Artists, thank you again for your submission to KLEX 2017! This year, we received over 200 submissions from various regions around the world. The curatorial team has finally selected 30 works to be screened in the festival! We’re excited to show your work in less than two months! KLEX 2017 is happening on 24-26 November 2017.
Congratulations, selected artists!
KLEX 2017 Open Call Finalists:
Blue, Lesly Leon Lee & Rathimalar Govindarajoo, Malaysia
How do we meet? How can we meet, Okui Lala, Malaysia
For the Sake of Time, Fadly Sabran, Malaysia
Refluence, Sim Hoi Ling, Malaysia
How My Brain makes Sense of Passing Time, Chloe Yap Mun Ee, Malaysia
Something About Silence, Patrick Buhr, Germany
Lucky, Ines Christine Heißer & Kirsten Carina Geißer, Germany
Naked Light, Sim Seow Khee, Malaysia
Leonardo’s Formula, Yu Ka Man, Kwan Tsz Ching & Wong Ka You, Hong Kong
Five: Moving Stormily, Max Hattler & Team Five, Hong Kong
Lunch Time, Irene Bartolome, Egypt
Farewell Transmission, Mike Rollo, Canada
The Landing, Katya Yakubov, USA
Blue Movement, Haruka Mitani & Micheal Lyons, Japan
Katagami, Micheal Lyons, Japan
Ast*Risk, Kotara Tanaka, Japan
Miraculous Aqueduct, David Finkelstein, USA
The Studio aga The Songs That Sang Her, Sun Koh, Singapore
Her Name in My Mouth, Onyeka Igwe, UK
A Room, Chong Ming, Hong Kong
Passage, Di Hu, China
Micodistrict, Ivelina Ivanova, Bulgaria/UK
Travel Notebooks: Venice, Italy, Silvia De Gennaro, Italy
El Becerro Pintado, David Pantaleon, Spain
Corp, Pablo Polledri, Argentina
Granular Film – Beirut, Charles-Andre Coderre, Canada
Self-encoding, Micheal Brynntrup, Germany
Emergence, Jason Bernagozzi, USA
Hem 84, Andrew Stiff, Vietnam
Japanese Cattle, Nobuhiro Shimura, Japan